Erik's Music Database - discography search: database ID is LW-2484 and lead instrument is panpipe and nationality/style is Wallachia and rhythm is chochek

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Album ID #STI Nationality Title Performers Instrument Rhythms Producer Notes DBID
Atanas_Kolarovski-005 2STI Macedonia,
Albania,
Epirus,
Wallachia,
Rom
Songs And Dances Of Yugoslavia - Atanas Kolarovski #5,
Songs and Dances from Yugoslavia,
Volume V
kaval,
tambura,
clarinet,
voice,
accordion,
brass
paidushko,
chochek,
chachak
Atanas Kolarovski LW-695 LW-695,
TD-7,
EB-CT
Em_Hawley-321 T Macedonia,
Wallachia,
Serbia
Tale Ognenovski - Tape 2 Tale Ognenovski chalgia,
clarinet
devetorka,
eleno,
tsamikos,
chochek,
lesnoto,
beranche
LW> Same as Jugoton LPY-61143;Side B - Jugoton CAY 321 LW-758
Jugoton-61143 TI Macedonia,
Wallachia,
Serbia
Svira Ora - Tale Ognenovski Klarinet,
Tale Ognenovski Klarinet,
svira ora
Tale Ognenovski chalgia,
clarinet
devetorka,
eleno,
tsamikos,
chochek,
lesnoto,
beranche
LW-700,
TD-704
Rade_Savic-3-16 T Rom,
Wallachia,
Serbia
MP3CD16 Vlatka Pokos,
Boban Markovic,
Dejan Petrovic,
Dino Merlin,
Vesna Zmijanac,
Dragacevaske Trube,
Lajko Felix,
Lajko Felix I Boban Markovic,
Mico Petrovic,
Milan Babic,
Salijevic Orkestar,
Tozovac,
Mira Vasiljevic,
Trik Fx,
Trix Fx,
Twins,
Underground,
Usnija Redzepova,
Valentina_,
Valentino,
Van Gogh,
Vasilija Radojcic,
Vera Ivkovic,
Vera Matovic,
Vida Pavlovic,
Viki,
Viktorija,
Vladimir Nikic,
Vladimir Savcic Cobi,
Vlado Georgijev,
Vlado Kalembar,
Vule Jevtic,
Balasevic,
Samardzic,
Funky G,
Leotina,
Skakavci,
Joksimovic,
Georgiev,
Koktel Bend,
Ceca Slavkovic,
Gibonni,
Lidija,
Goran Karan,
Cya,
Bajaga,
Riblja Corba,
Zana,
Dogani,
Vlado,
Igor,
Madam Piano,
Danijela,
Zeljko Joksimovic
accordion chochek LW-1690
Rounder-11661-1745-2 TI Yugoslavia,
Wallachia,
Turkey
World Library Of Folk And Primitive Music -- Yugoslavia (Disc 1),
World Library Of Folk And Primitive Music -- Yugoslavia (Disc 2),
World Library of Folk and Primitive Music Vol 5: Yugoslavia
kaval,
frula
chochek LW> Yugoslavia Made at a national folk festival in 1951, these recordings capture the rich musical traditions and practices prevailing in the territory of the former Yugoslavia. They testify to the depth and scope of ethnomusicological research by regional folklore institutes in their quest to construct a supranational culture - Yugoslavia - poignantly reminding us of an ideal of cultural co-existence. LW-2447,
LW-2448,
TD-857